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Kamae: Basic Posture & Correct Mindset
Kamae is the foundational stance in Aikido, and Yoshinkan Aikido places particular emphasis on its correct execution. The posture can be taken in either Migi Hanmi (right foot forward), or Hidari Hanmi (Left foot forward) Here are the key points:
General Posture
Natural and Relaxed: The body should feel grounded and balanced, without tension.
Weight Distribution: Weight is distributed forward: Ju Shin Mai
Center of Gravity: The center of gravity should be slightly below the navel, creating a stable base.
Upper Body
Upright Torso: The spine is straight, with shoulders relaxed and slightly back.
Arms: Posture mimics holding a sword with the forward hand fingers open strongly mid chest level, and the back hand at slightly in-front of the belt knot. Both hands aligned to your center line.
Head: The head is upright, with eyes focused on the opponent.
Mental Focus
Awareness: Maintain a constant awareness of the opponent's movements.
Relaxation: Mental relaxation complements physical relaxation.
Harmony: Seek harmony between mind and body.
Migi Hanmi Kamae
Right Side basic stance, Right foot and Right Hand are extended forward
Hidari Hanmi Kamae
Left Side basic stance, Left foot and Left Hand are extended forward
Shite is the person executing the technique, or the balanced side.
Uke is the person receiving the technique, or the falling side.
Represents Shite and Uke facing each other in Kamae (see Ma-Ai), where both are standing with the same foot forward (ie) Right to Right or Left to Left.
Represents Shite and Uke facing each other in mirrored Kamae (see Ma-Ai), or opposite forward footing. Shite with left foot forward, and Uke with Right foot forward.
The correct distance between Shite and Uke. Typically starting point for the execution of a technique in the kihon waza is approx 4 to 6 centimeters apart.
Attacking Movements
Front Strike: Using the tegatana of the forward hand, uke strikes to the forehead with a cutting down motion while moving forward from the hips towards Shite. Similar to cut with a bokken/sword. Ukes intention is to provide a threat which cuts through the center line of Shite.
Side Strike: Using the tegatana of the forward hand, uke strikes to the side of Shite's head cutting down along a diagonal path through Shite. The target of the strike is the temple, moving forward from the hips using the forward hand.
Front Punch: Using the power of the hips Uke drives a punch from the rear hand while cross stepping forward, targeting Shite's solar plexus. Uke strikes as though pushing through shite with the feeling of continuing to strike through and past Shite.
One Wrist Grasp: Uke gripping one of Shites wrists, with the fingers fully wrapped around concentrating power in the ring finger and little finger, with the palm fully contacting Shite. The grasp can either be a pulling motion, a pushing motion or a holding grasp. Uke usually grasps with the same hand as the forward foot kamae.
Shoulder Grasp: Uke grips the shoulder of Shite in the notch of the shoulder and chest, usually grasping the dogi. The grasp can either be a pulling motion, a pushing motion or a holding grasp. Uke usually grasps with the same hand as the forward foot kamae.
Both Wrist grasp: Uke grips both of Shite's wrists strongly with with either a pushing or pulling motion.
Chest Grasp: Uke grips the lapel of Shite's dogi/uniform dead center of the the chest, in most cases with a pushing motion.
Shite and Uke face each other in Kamae and perform the Hojo Dosa to allow uke to move behind shite and perform an attack:
Ushiro Ryote Mochi: Behind Both wrist grasp with a pushing or pulling motion.
Ushiro Ryo Hiji Mochi: Behind Both elbow grasp with a pushing or pulling motion.
Ushiro Ryo Kata Mochi: Behind Both shoulder grasp with a pushing or pulling motion.
Eri Mochi: Behind collar grasp with a pushing or pulling motion.
Katate Eri Mochi: Behind one wrist and collar grasp with a pushing or pulling motion.
Basic Movements
Tai No Henko Ichi: Body Movement Exercise One
Forward entering movement (irimi) when pulled, changing the center line of Kamae, by drawing a 's' shape with your feet and hips. The basis for sokumen irimi nage (side entering throw).
Tai No Henko Ni: Body Movement Exercise Two
A 95-degree turning motion to redirect energy coming towards Shite. Pivoting by rotating the hips, allowing the back foot to describe an arc, while maintaining the front foot in place.
Hiriki No Yosei Ichi: Body Line Exercise One
Body line exercise intended to move forward with the whole body (arms and legs) moving in unity. From Kamae Shite slides forward staying on the same side, at the same time raising the arms up in a circular form like raising a sword.
Hiriki No Yosei Ichi: Body Line Exercise Two
Body line exercise indented to shift shites center of gravity and center line from the front to the rear (ie) 180 degrees while extending and raising the arms up in a circular form like raising a sword.
Shumatsu Dosa Ichi: Finishing Exercise One
Directly related to the Shiho Nage technique, in exercise one moving forward as if pulled, by sliding forward on the same site, off the kamae centerl ine, then cross stepping forward again, then shifting to the rear, and finally moving forward again while cutting down with the arms.
Hiriki No Yosei Ichi: Finishing Exercise Two
Directly related to the Shiho Nage technique, in exercise two Shite pivots 180 degrees to the rear while capturing the pushing energy of uke, then shifts again to the rear continuing the turn, and finally slides forward cutting down with the arms.
Basic Techniques: Four Direction Throw
Basic Technique: Shiho Nage is the technical representation of raising a sword and cutting in four directions. Shite controls Uke's wrist by folding it back over the same shoulder in a circular manner by utilizing a shifting Hiriki no Yosei movement breaking Uke´s balance backwards. Uke can be thrown outwards or directly downwards with the strong sword cut motion.
Basic Techniques: First Control
Basic Technique: First Control pin. Uke's balance is broken directly through the shoulder being rolled forward. A circular sword-cut motion controls Uke downwards. Maintaining pressure through the shoulder and extending Uke's arm pins Uke to the ground.
Basic Techniques: Second Control
Basic Technique: Nikkajo is a technique whereby we turn ukes palm outside of his elbow to bend ukes arm into a sideways V-shape in order to cut down destroying ukes posture.
Basic Techniques: Third Control
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Basic Techniques: Fourth Control
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Basic Techniques: Body Check Throw
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Basic Techniques: Elbow Lock / Elbow Lock timing throw
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Basic Techniques: Wrist Throw
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Basic Techniques: Timing / Breath Throw
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Basic Techniques: Heaven and Earth
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